Color Adjustment
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Réalisé par Marlon T. Riggs • Écrit par Marlon T. Riggs
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États-Unis • 1992 • 80 minutes • Couleur
- Réalisation :
Marlon T. Riggs - Écriture :
Marlon T. Riggs - Image :
Michael Anderson, Rick Butler - Son :
Michele Zaccheo, Christiane Badgley, Dwight Kiyono - Montage :
Deborah Hoffmann - Musique originale :
Mary Watkins - Mixage :
Mark Escott - Montage son :
Richard Bock
- Production (structure) :
Marlon T. Riggs - Ayant droit :
Marlon T. Riggs
- N° ISAN :
non renseigné
Résumé
Pas de résumé français disponible.
What does the American dream look like? Where do Black Americans fit into it? And what is television’s role in shaping our views of racial progress and the idealized American family? Picking up where the groundbreaking Ethnic Notions left off, this pioneering work of media studies by Marlon Riggs presents a complicated, challenging, and nuanced view of evolving racial attitudes as reflected in popular programs such as Amos ’n’ Andy, Julia, All in the Family, Good Times, Roots, and The Cosby Show. Narrated by Ruby Dee and featuring interviews with actors Diahann Carroll, Tim Reid, and Esther Rolle; African American historian Henry Louis Gates Jr.; and producer Norman Lear, among others, Color Adjustment looks beyond the whitewashed, middle-class mythologies peddled by prime-time entertainment to track the ways in which Black Americans have been assimilated into a new but no less harmful racial narrative.
Mot(s)-clé(s) thématique(s)
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