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L'homme qui est devenu musée

Documentaire
    Réalisé par Marwen Trabelsi • Écrit par Marwen Trabelsi
    Tunisie • 2019 • 66 minutes • MP4 • Couleur
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Résumé

Aly Issa est un peintre tunisien anarchiste, plasticien multidisciplinaire, il est âgée de 81ans.
Maigre et de petite taille, il cache ses yeux derrière des lunettes de vue et s'appuie sur sa canne en bois rouge pour pouvoir équilibrer sa marche.
Il porte souvent des costumes confectionnés par ses propres soins, Aly Issa passe ses journées, à peindre des portrait, des paysages, à récupérer des objets, glanés un peu partout, pour les inclure dans ses installations.
Il regarde parfois ses vieilles bobines super 8 et des diapositifs qu’il veut restaurer.
Dans sa noble solitude, il s’entoure d’animaux domestiques : une poule et un coq sont installés dans son jardin, un chat casanier et un chien vivent avec lui, comme pour adoucir son isolement. Aly Issa partage ses repas avec eux, il leur parle, il se confie à eux.

Aly Issa is a Tunisian anarchist painter, multidisciplinary visual artist, he is 81 years old. Skinny and small, he hides his eyes behind glasses and leans on his red wooden cane to balance his progress. He often wears costumes made by his own care, Aly Issa spends his days, painting portraits, landscapes, recovering objects, gleaned everywhere, to include them in his installations. He sometimes looks at his old super 8 reels and slides that he wants to restore. In his lonely solitude, he surrounds himself with domestic animals: a chicken and a rooster are installed in his garden, a house cat and a dog live with him, as if to soften his isolation. Aly Issa shares his meals with them, he speaks to them, he confides in them. Worthy and mysterious, like a solitary planet, Aly Issa is aware that he is at the end of his artistic career, at the end of his life. His confessions revolve around

Aly Issa is a Tunisian anarchist painter, multidisciplinary visual artist, he is 81 years old. Skinny and small, he hides his eyes behind glasses and leans on his red wooden cane to balance his progress. He often wears costumes made by his own care, Aly Issa spends his days, painting portraits, landscapes, recovering objects, gleaned everywhere, to include them in his installations. He sometimes looks at his old super 8 reels and slides that he wants to restore. In his lonely solitude, he surrounds himself with domestic animals: a chicken and a rooster are installed in his garden, a house cat and a dog live with him, as if to soften his isolation. Aly Issa shares his meals with them, he speaks to them, he confides in them. Worthy and mysterious, like a solitary planet, Aly Issa is aware that he is at the end of his artistic career, at the end of his life. His confessions revolve around

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