La Trace

André Sugnaux, an artist from Fribourg with a 30-year interest in the gulags, travels on a 2,000-km road built by the internees of the Kolyma camps in Russia to provide access to the gold- mines. Through encounters with camp guards or former prisoners, the film- makers aspire to “explain why we must remember, even if the history of Kolyma does not directly concern us". (EP, GT). Despite the dissolution of the USSR, official Russian history often neglects the dark chapter related to the gulags and is little inclined to remember the testimonies of survivors or of the families of the many victims. Along this journey, we find the skeletons of an abandoned mine and huge machines straight out of the Soviet era, still used today for sieving gold. Although there are no longer political prisoners here, there are those who remain prisoners of the economic system, the most destitute now working to mine gold. La Trace reminds us that we can recount History through pictures and that the cinematographic tool can reveal the areas omitted by public official speeches.
(Manuela Ruggeri)