Bewaren Of hoe te leven
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Réalisé par Digna Sinke • Écrit par Digna Sinke
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Pays-Bas • 2018 • 85 minutes • Video Full HD • Couleur
- Réalisation :
Digna Sinke - Écriture :
Digna Sinke - Image :
Jan Wich, Digna Sinke - Son :
Mark Wessner, Menno Euwe - Montage :
Albert Elings
- Production (structure) :
De Familie Film & TV - Ayant droit :
De Familie Film & TV
- N° ISAN :
non renseigné
Résumé
D’aussi loin qu’elle se souvienne, la réalisatrice Digna Sinke a conservé toutes sortes d’objets, depuis des sachets de sucre jusqu’à de vieux journaux. Mais quelque chose est en train de changer. Le numérique a ouvert la possibilité d’un mode de vie complètement différent. Digna part à la recherche d’un nouvel être humain, qui ne se soucie plus des choses matérielles, mais des expériences : des nomades numériques et des minimalistes qui ne possèdent qu’un passeport, une carte bancaire, un ordinateur portable et un smartphone.
For as long as I can remember I have been keeping things. Carefully I put my treasures away in an old metal tea tin. They could be anything : train tickets, a lipstick sample, a homemade chicken bone bracelet, a nice marble. This need never went away. It’s obvious where I got it from. My parents always kept lots of things. Together with my 92-year-old mother I am trying to find out why we do this. Of course she keeps all kinds of stuff because it may one day come in handy. But often there is an emotional reason. When I show my mum her old toy flat-iron (which she may not have seen for 80 years) she recognizes it instantly, happy to see it again. Just for a moment she looks like a four-year-old girl again, proud to iron her own little handkerchief. The kept objects are like time machines. This is cultural heritage, this is European civilization. Through personal observations I try to portray this whole territory of considerations, thoughts, feelings, responsibilities. Why do I save those piles of old newspapers ? Picture frames found in the street ? Damaged lantern slides ? Is it because keeping things gives me a feeling of attachment and familiarity ? Because it connects me to people who are no longer there, to another era, to the world ?
But something is changing. My cousin Maartje says she is like most people of her generation. Her living room is tidy. No stuff anywhere. No bookcase, no CD’s, her photographs are in “the cloud”. She keeps one little box of things from her childhood. Perhaps we are in the middle of a change of paradigm. Whereas for thousands of years material possessions determined who we were, digitization has now created the possibility of a completely different way of life. I am going in search of this new human, who no longer cares about possession, but about experience instead. Remote workers, digital nomads and minimalists show me that all they possess is a passport, a bank card, a laptop computer and a smartphone. Will people slowly but surely lose the ability to recall memories by touching and old toy flat-iron ? Will I try and part with my tea tin of useless things, my newspapers, my cardboard boxes full of letters ? And will I succeed ?
Mot(s)-clé(s) thématique(s)
Sélections et distinctions
- 2020 • États généraux du film documentaire • Lussas (France) • Nouvelles inattendues
- 2018 • DOK Leipzig - International Leipzig Festival for Documentary and Animated Film • Leipzig (Allemagne) • International Competition Long Documentary and Animated Film
- 2018 • IFFR - International Film Festival Rotterdam • Rotterdam (Pays-Bas) • Sélection
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