Résumé

Le légendaire Chelsea Hotel, pilier de la contre-culture des années 1960 et refuge d’artistes et d’intellectuels célèbres dont Patti Smith, Janis Joplin, Sid Vicious et les superstars de la Factory de Warhol, est en cours de rénovation. Bientôt il ré-ouvrira ses portes au public et deviendra l'un des hôtels de luxe les plus en vogue de New York. Cinquante et un résidents, pensionnaires de longue date, y habitent toujours. Entre peur de l’avenir, lassitude, et excitation, ils continuent de vivre et créer au milieu des travaux. Dans ce quotidien en chantier, le film parcours le corps de l’hôtel et en explore les survivances du passé, à la recherche de son esprit unique qui a forgé et perpétue son mythe.

Icone of the counter culture of the sixties, the Chelsea Hotel has for more than a century been a refuge and a legend for creative people. Closed for renovation for several years, it is being transformed into a luxury hotel while some fifty odd residents, often elderly, continue to live and create, smack in the middle of the construction work. While the capitalist machine is getting ready to devour the Chelsea, the film takes us to the heart of this mythical place to meet the last inhabitants who are facing, just like the hotel, a turning point in their history.

"The camera hovers, lost in reverie as voices and sounds waft through the gutted rooms of a building. Archive footage is sometimes projected onto unplastered walls and at others used as a soundtrack as we continue our tour. This is the legendary Chelsea Hotel, famous as the preferred abode of New York’s bohemia from the 1950s to the 1980s. Here, bourgeois society’s misfits – sex workers, poets, queers and artists – were able to find cheap accommodation and form alliances. In this documentary, the remaining tenants from that era grant access to their flats and give us an insight into their lives. They are the focus of a film that interweaves the present with the ghosts of the past. The completion of eight years of luxury refurbishment ahead of the building’s reopening as a hotel is eagerly awaited by some residents and dreaded by others.
By portraying the dissenters and the rooms they inhabit in such a touching way, the filmmakers have succeeded in capturing a kaleidoscopic image of an era that embraces both the pain of loss and the joy of living; that bids a fond farewell as it points towards immortality."
(Berlinale)

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