This Blessed Plot

Docu-fiction
    Réalisé par Marc Isaacs • Écrit par Marc Isaacs, Adam Ganz
    Royaume-Uni • 2023 • 75 minutes • Couleur
  • N° ISAN :
    non renseigné
Résumé

Lori, jeune cinéaste chinoise, découvre le petit village anglais de Thaxted, un lieu où les frontières entre le visible et l’invisible sont facilement franchissables, et où les morts côtoient encore les vivants. Lors d’une visite à l’église du village, Lori fait la rencontre de Conrad Noel, prêtre socialiste décédé depuis longtemps. Il ne sera pas le seul fantôme à s’entretenir avec elle d’outre-tombe. Dans la continuité de son dernier long métrage, The Filmmaker's House (2020), Marc Isaacs interroge les limites de la forme documentaire et s’essaie à une mise en scène inventive avec les protagonistes de ses précédents documentaires et de nouvelles personnes rencontrées dans le village de Thaxted.

The film tells a tale of love, loss and betrayal. Deploying Brechtian techniques of distancing and playing with the idea of suspended disbelief, the story centres around Lori, a female Chinese filmmaker, visiting the old village of Thaxted to look for the subject of her next film. She encounters characters both dead and alive, each offering an insight into England’s past and present state. From the ghost of an early 20th century radical Christian socialist vicar to a man haunted by betrayal and the sudden return into his life of his petty criminal friend, and Maggie, the wife of a deceased dancer.

"In This Blessed Plot, which takes its title from John of Gaunt’s deathbed speech singing the praises of England in Shakespeare’s Richard II, director Marc Isaacs examines the social and cultural fabric of the United Kingdom, the subject of all his films. This time he creates an eccentric mix of documentary and fiction in Essex.
Lori, a Chinese filmmaker, visits the historic village of Thaxted, where Pier Paolo Pasolini filmed part of the Middle English epic The Canterbury Tales. Looking for a subject for a film, Lori hears stories of ghosts from the past, including one about the 20th-century socialist vicar Conrad Noel. She is curious about how his socialism differs from the Chinese version, and has conversations with his spirit in the afterlife. Lori meets some remarkable locals, who talk to her about love, parting, grief and loss. Gradually she becomes involved in a plot between villagers Keith, Sue, Maggie, Norman and "Uncle", which is at times farcical, and at others dramatic, and she is introduced to English folklore and spirituality."
(IDFA - International Documentary Festival Amsterdam)

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