العودة إلى الوادي We No Longer Prefer Mountains

We No Longer Prefer Mountains takes place in the Druze town of Dalyet el Carmel, in northern Palestine, pulling the viewer into a surreal world of geographic isolation, shrouded mysticism and a locale shaped by co-optation, coercion, and control. Weaving together intimate engagements with members of the community, in shared domestic spaces and outdoor environments, the film sets out to explore how the inner politics of the Druze have been controlled and reshaped as a result of the establishment of Israel in 1948. The film is informed by the landscape theory (fûkeiron), a Japanese Avant Garde film movement in the 60s whereby the filmmakers posited that filming the everyday surroundings reveal the oppressive and repressively isolating landscapes and the powers at play.